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Spectaculum II

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Spectaculum II 
Jon Kraja
24.04 > 24.05.2024

On 25 April 2024 Gallery70,  opened the second exhibition of Spectaculum series by Jon Kraja .The works in view are filled with fragmented figures and abstractions.

The artist’s decision to present a monochromatic (or black and white) society suggests the yearning for individual expression. The Three contemporary Graces of Jon Kraja raise the curiosity of the audience towards the complexities of human relationships and the struggle for identity within a modern context.”

The opening event was attended by many art lovers .

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Being On Your Own and Being For Yourself

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Being On Your Own and Being For Yourself 
Majlinda Kelmendi
2.11 > >30 .11.2023 

Qënia Me Vete: Pjesa fillestare e ekspozitës shfaq momentet e vetmisë dhe eksperimentimin personal përmes veprave artistike që zbulojne ndjenjat e thella të individëve. 

Përtej Vetëmisë: Në këtë segment, vizitorët do të shqyrtone lidhjet dhe mënyrat e ndryshme ndërmjet nierëzve në botën e sotme, duke perdorur eksperiënce interaktive. 

Qënia Për Vete: Përfundimisht, ekspozita ruan nje fokus të vecante në zhvillimin personal dhe aftësite që bejne ndryshim në botën që na rrethon. Përvojat e ndryshme të përdorura do të theksojne pavarësine dhe kreativitetin. 

Being Alone: The initial part of the exhibition showcases moments of solitude and personal experimentation through artworks that reveal the deep feelings of individuals.

Beyond Loneliness: In this segment, visitors will explore the connections and ways people connect in today’s world, using interactive experiences.

Being For Yourself: Ultimately, the exhibition maintains a distinct focus on personal development and the skills that make a difference in the world around us. The different experiences used will emphasize independence and creativity.

Mbi artisten 
Majlinda Kelmendi ka lindur në tetor të vitit 1966 në Tiranë. Në vitet 1986-1990 kreu studimet universitare në Akademinë e Arteve, Tiranë. Në vitet 1999-2000 ka kryer studimet pasuniversitare / Master i Arteve në Fakultetin e Arteve, Universiteti i Prishtinës. Puna e saj ndikohet kryesisht nga tema që trajtojnë proceset e transformimit social, politik dhe ekonomik, histori dhe tema socio-politike në rajon dhe më gjerë. Puna e saj mbulon një gamë të gjerë mediash, duke përfshirë instalimin, videon, vizatimin, pikturën, fotografinë dhe performancën. Ajo ka ekspozuar gjerësisht në galeri të ndryshme, muze arti me grupe dhe ekspozita personale, duke përfshirë MLAC-Museum, Romë Itali, Galerinë Kombëtare të Kosovës, Galerinë Domus Romana, Romë, Itali, Budapest Hungari, Vjenë Austri, Gjermani, Amerikë, Portugali, Poloni, Spanjë, Belgjikë, Bullgari, Francë, Republika Çeke etj. Që nga viti 2000 dhe aktualisht është profesoresh në Departamentin e Artit Konceptual dhe Mediave të Reja në Fakultetin e Arteve, Universiteti i Prishtinës.

About the artist 
Majlinda Kelmendi was born in October 1966 in Tirana. In the years 1986-1990 he completed his University studies at the Academy of Arts, Tirana. In 1999-2000 he completed postgraduate studies / Master of Arts at the Faculty of Arts, University of Pristina.
Her work is mainly influenced by topics that address the processes of social, political, and economic transformation, history, and socio-political topics in the region and beyond.
Her work covers a wide range of media, including installation, video, drawing, painting, photography, and performance. He has exhibited extensively in various galleries, art museums with the group and personal exhibitions, including MLAC-Museum, Rome Italy, National Gallery of Kosovo, Domus Romana Gallery, Rome, Italy, Budapest Hungary, Vienna Austria, Germany, America, Portugal, Poland, Spain, Belgium, Bulgaria, France, Czech Republic, etc.
Since 2000 and is currently a professor in the Department of Conceptual Art and New Media at the Faculty of Arts, University of Pristina.

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Faces of uncertain time

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“The self-portraits of Mikel Temo are realized in one of the most unusual periods, that of the pandemic, of the crisis, of all the cracks experienced by humanity. They can be read as a hint, as a metaphor of running away from the isolation, loneliness, nightmare, from all the crises modern man experiences.

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OAS2022

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War. Pandemic. Climate change. Inflation. At the core of our time there is crisis. And in the midst of this crisis there are countries, cities and villages. There are people. There are swimming pools. There is space. There is care. There is love. There is art. There is a free world. There is a city called Tirana. A Gallery called Gallery70.

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Under the skin

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In this perspective the “abstract” is real, it is part of our body, of the creation, before it is what we know: the opposite of concrete or figurative. What we label as abstract, even in art, proves that we do not know the essence of that thing, as what we call “coincidence” proves our nescience about the cause.

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Artmagnifier

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ArtMagnifier produced by Gallery70, is a series of short films featuring visual artists and it was supported by the Creative Producers programme developed by the British Council in the Western Balkans 4 #CreativeProducersWB Artmagnifier aims at becoming a platform that promotes artists, encourages cross discipline cooperations, facilitates international artist exchange and developes new audiences.