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Welcome to “TRASHëgim,” a playful site-specific installation at Gallery 70 by the German-Swedish artist brothers Christoph and Sebastian Mügge!
The exhibition’s title is a play on words, combining the Albanian word for legacy, “trashëgim,” with a less flattering English term. The installation explores the deeply personal, ambiguous, and often nostalgic feelings that arise when someone passes away—how we handle loss, cherish memories, and interpret the traces of a complex life. It also addresses universal questions of identity, shifting values, and the meanings we attach to objects from an estate. These items bear witness to the era and circumstances in which they were used, offering insights into the past that resonate with our present.
Albania’s iconic mushroom bunkers, built during Enver Hoxha’s regime, serve as a potent visual legacy within the exhibition. They embody both pride and shame, reflecting the complex emotions tied to the country’s communist past, making Albania’s bunkerization a powerful symbol for the exhibition´s topics. The exhibition also explores how these bunkers have been repurposed as tourist rentals, prompting reflection on how we transform historical burdens and the narratives we build around them.
What is truly worth preserving for future generations, and what is merely discarded as rubbish? Who decides the value of a heritage, and how do we confront personal and historical burdens, dark secrets, and untold stories?

The exhibition is kindly supported by Culture Moves Europe

On 25 April 2024 Gallery70,  opened the second exhibition of Spectaculum series by Jon Kraja .The works in view are filled with fragmented figures and abstractions.

The artist’s decision to present a monochromatic (or black and white) society suggests the yearning for individual expression. The Three contemporary Graces of Jon Kraja raise the curiosity of the audience towards the complexities of human relationships and the struggle for identity within a modern context.”

The opening event was attended by many art lovers .

Qënia Me Vete: Pjesa fillestare e ekspozitës shfaq momentet e vetmisë dhe eksperimentimin personal përmes veprave artistike që zbulojne ndjenjat e thella të individëve. 

Përtej Vetëmisë: Në këtë segment, vizitorët do të shqyrtone lidhjet dhe mënyrat e ndryshme ndërmjet nierëzve në botën e sotme, duke perdorur eksperiënce interaktive. 

Qënia Për Vete: Përfundimisht, ekspozita ruan nje fokus të vecante në zhvillimin personal dhe aftësite që bejne ndryshim në botën që na rrethon. Përvojat e ndryshme të përdorura do të theksojne pavarësine dhe kreativitetin.